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Eleven Pieces

List of Works by CategoriesAlphabetical List of the WorksChronological List of the Works
#38 Eleven Pieces   for Children's Orchestra (1981)

Grafika dla: Eleven Pieces (Kompozycja #38)

Place of Origin
Czechowice-Dziedzice

Scoring
3Fl a becco, 2Mel, 2Camp, Ob, Acc, Chit, Batt, Vn, Vc, Cb, Rec

Duration
ca 28'

Language Version of the Text
pol.

Authors of the Texts
Jacek Bierezin (część / part VI)

Edition
Our Day [in:] "Poradnik Muzyczny", 1983 No. 1, pp. 12-14; Synkopy [in:] "Poradnik Muzyczny", 1983 Nos 6-7, pp. 9-12; Little Waltz [in:] "Poradnik Muzyczny" 1987 No. 9, s. 2-11; March [in:] "Poradnik Muzyczny", 1988 No. 12, pp. 2-10.


First Performance
March i Little Waltz, 27.05.1986, Katowice, performers: student of the Academy of Music; Excersise I i Excersise II, 29.09.1994, Czechowice-Dziedzice, The 4th Alkagran Young Music Music Meetings 1994, performer: Percussion ensemble of the Ignacy Jan Paderewski State Music School in Stalowa Wola; Fugue i Bagatelle, 1.10.1996, Czechowice-Dziedzice, The Alkagran Autumn Music Festival 1996, performer: Chamber Orchestra of the Mieczysław Karłowicz State Music School in Katowice.

Comments about the Works

Eleven pieces for children’s orchestra is a collection of short compositions for various ensembles. Both advanced musicians and beginners can play in that orchestra. The works, which are simple in principle, are a wonderful textural study. Nasz dzień, Marsz and Walczyk are simple melodies with accompaniment. Synkopy and Bagatela are examples of team chordal play. Polyphonic patterns appear in Melodia (dialogue), Śpiewy (a whole series of canons), Programme II and Fuga (multi-layered). Two Ćwiczenia are simply rhythmic etudes. The arrangement of the pieces is significant: 5 + 1 + 5, five compositions for several voices (for two or three instruments), in the middle Programme II (the only piece with a reciting voice) and five more compositions with an extensive cast. In terms of sound material, these works are not homogeneous and use various ways of its organization: diatonic, free twelve-note tonality, interval structuralism. There is also great variation in the rhythm and metric layer. Most of the pieces require rhythmic skill and some performance maturity. However, the instrumental parts are written in such a way that less advanced musicians can also participate in the ensemble. This composition has never been performed in its entirety.

I. Melodia ca 2’30”
II.
Nasz dzień ca 2’40”
III. Synkopy ca 3’20”
IV. Ćwiczenie I ca 1’
V. Ćwiczenie II ca 40”
VI. Audycja II wersja B ca 5’
VII. Marsz ca 1’30”
VIII. Walczyk ca 1’30”
IX. Śpiewy ca 4’
X. Fuga ca 3’30”
XI. 
Bagatela ca 2’

Three out of 11 Pieces are new arrangements of earlier compositions: Programme II – version B of Programme II (1973); Fuga – of Fuga for accordion quintet (1979); Bagatela – of Bagatela No. 3 from the cycle 4 Bagatele for accordion (1979).


Manuscript
Pencil autograph at the Main Library of the Karol Szymanowski Academy of Music in Katowice



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Partners

Dofinansowano ze środków Ministra Kultury, Dziedzictwa Narodowego i Sportu
pochodzących z Funduszu Promocji Kultury – państwowego funduszu celowego,
w ramach programu „Muzyka”, realizowanego przez Narodowy Instytut Muzyki i Tańca.